http://www.namitawiggers.com/where-to-meet-me- daily 0.75 2016-03-28 http://www.namitawiggers.com/where-to-meet-me-/2016/3/27/keynote-almost-touch-virtual-communities-photocraft-saturday-april-2-at-5pm-center-for-craft-creativity-design-67-broadway monthly 0.5 2016-03-28 http://www.namitawiggers.com/where-to-meet-me-/2016/2/2/seminar-at-bard-graduate-center monthly 0.5 2016-03-28 http://www.namitawiggers.com/where-to-meet-me-/2015/10/8/curator-talk-arrowmont-school-of-arts-and-crafts monthly 0.5 2015-09-26 http://www.namitawiggers.com/write daily 0.75 2021-12-29 https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1445212489108-XNUDOD87T70PWW2H3F77/image-asset.jpeg Writing - On the shelf. . . . Selections of publications I've written or to which I've contributed content. . . . https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1445212489108-XNUDOD87T70PWW2H3F77/image-asset.jpeg Writing - On the shelf. . . . Selections of publications I've written or to which I've contributed content. . . . https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1473805242273-461FA8W7A922TDZFPAPJ/page-18.jpg Writing - Contemporary Clay and Museum Culture I contributed an essay, "We Claim the Bowl in the Name of Craft" to this forthcoming publication. Anticipated availability: June 2016 Edited by Christie Brown, Julian Stair, and Clare Twomey This groundbreaking book is the first to provide a critical overview of the relationship between contemporary ceramics and curatorial practice in museum culture. Ceramic objects form a major part of museum collections, with connections to anthropology, archaeology and other disciplines that engage with the cultural and social history of humankind. In recent years museums have provided the impetus for cutting-edge artistic practice, either as a response to particular collections, or as part of exhibitions. But the question of how museums have staged contemporary ceramics and how ceramic artists respond to museum collections has not been the subject of published research to date. This book examines how ceramic artists have, over the last decade, begun to animate museum collections in new ways, and reflects on the impact that these new initiatives have had in the broad context of visual culture. Ceramics in the Expanded Field is the culmination of a three-year AHRC funded project, and reflects its major findings. It brings together leading international voices in the field of ceramics, research undertaken throughout the project and papers delivered at the concluding conference. By examining the benefits and constraints of interventions and the dialogue between ceramics and museological practice, this book will bring focus to an area of museology that has not yet been theorized, and will contribute to policy debates and art practice.   https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1458748129498-AKNVSKDR5IO9O4U1QNH9/image-asset.png Writing - On and Off: Jewelry in the Wider Cultural Field I contributed two essays to this publication, one on Kerianne Quick, and the second on Kiff Slemmons. Benjamin Lignel, ed. Jewelry will meddle in human affairs. It will bear witness to transfers of authority, seal alliances, stand proud over your scholastic achievements, or discreetly signal that, no, not tonight, thank you very much. And of course, human affairs will in turn inform the conception, intended use, and abuse of jewelry. Contemporary work, in particular, is defined by the range of cultural references that it brings into the foreground and its willingness to tackle contentious issues. On and Off is a collection of 30 short essays on jewelry in the wider cultural realm, reflecting AJF’s mission to report on contemporary practice. AJF’s fifth publication depicts the ongoing conversation between incorporated social norms and creative agendas, exploring those phenomena that inform and complicate jewelry’s history—sex, domination, self-identification, territory, and death. About half of the essays focus on individual works, while the other half engage with jewelry’s agency in the social, political, and private spheres. The collection as a whole invites some of the meatier subjects of human affairs to the jewelry table: cultural appropriation, social engineering, political propaganda, or jewelry-mediated empowerment. With essays by: David Beytelmann, Nigel Borell, Cécile Bulté, Monika Brugger, Susan Cohn, Anna Conticello, Liesbeth den Besten, Rutger Emmelkamp, Julie Ewington, Mònica Gaspar, Stephen Knott, Marthe Le Van, Baptiste Lignel, Jillian Moore, Stephen Mulqueen, Elisabeth Murphy, Kevin Murray, Kerianne Quick, Suzanne Ramljak, Amina Rizwan, Damian Skinner, Emily Stoehrer, Timothy Information Limited, Namita Gupta Wiggers, and Marilyn Zapf. And illustrations by: Artus Lavilléon   https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1445212145739-NMP81BPKPLUGU1UH1USR/Screenshot+2015-09-26+14.36.36.png Writing - O Pioneers! Women Ceramic Artists 1925-1960 Contributed "Betty Feves: Building Community as a Career" Edited by Ezra Shales 2015 Schein-Joseph International Museum of Ceramic Art New York State College of Ceramics at Alfred University Alfred, New York   https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1443330679656-OOXFOT0ZGOJ4AGFP4BL5/Screenshot+2015-09-26+22.10.24.png Writing - Geongyi International Ceramics Biennal 2015 In 2015 I co-juried the GICB 2015 international competition. Each juror contributed essays on each of the award winners, included in this publication. https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1443330829339-3T81PXOFPGUP8076ZR24/Screenshot+2015-09-26+22.13.37.png Writing https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1443331007975-S758B1K4A1MSE55TO3H8/Screenshot+2015-09-26+22.16.34.png Writing https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1443331085392-M8GWFF4V1HCX5MTONMW6/Screenshot+2015-09-26+22.17.30.png Writing https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1443331121748-NYHYEYF20DQQT6NT9QYL/9781454702771.jpg Writing https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1443331166114-ARE4YK6HXSHLDNBAG47O/Screenshot+2015-09-26+22.19.14.png Writing https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1443389662195-421S53PBZM8VVVKS9YG2/Screenshot+2015-09-26+22.21.48.png Writing - 75 Gifts for 75 Years Museum of Contemporary Craft at PNCA By Namita Gupta Wiggers. To celebrate the Museum’s 75th Anniversary and role as one of the nation’s oldest institutions dedicated to craft, collectors from the Pacific Northwest and beyond have generously donated and promised gifts to the Museum’s permanent collection. Published 2012. Design: Briar Levit. $20 + S&H. Softcover; 64 pages; full color; 9.5 × 7.5 inches. Order Now by calling the Gallery Store at 503-546-2654 https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1443331343311-P969E909WSWWQFVI0GCC/Screenshot+2015-09-26+22.22.12.png Writing https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1443331430466-LZP4WTE122E05OHGJOKL/Screenshot+2015-09-26+22.23.35.png Writing - Ken Shores: Clay Has the Last Word This stand alone publication was created in conjunction with Generations: Ken Shores, the first museum retrospective to focus on the work of local artist, educator, and the first paid Director of Contemporary Crafts Gallery, now Museum of Contemporary Craft at Pacific Northwest College of Art. https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1443331842085-AA0190LLRGXBKDFN0Z1H/Screenshot+2015-09-26+22.27.19.png Writing Innovation & Change: Ceramics from the Arizona State University Art Museum Innovation & Change provides the first overview of the Arizona State University Art Museum's internationally renowned contemporary ceramics collection. Richly illustrated with more than 125 highlights from the collection, Innovation & Change also presents some of the most talented writers in America and England contributing insightful observations of key works, making this handsome publication an invaluable resource for years to come. Also included are a comprehensive chronology as well as extensive exhibition and bibliographic listings. Softbound, 224 pages with over 100 colorplates. Suggested retail is $45. https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1443332077625-1B7E43QZUK2HJQ141MI7/Screenshot+2015-09-26+22.34.18.png Writing Transforming Practice, a comprehensive collection of articles from Museum Education Roundtable'sJournal of Museum Education, presents a rich and exemplary selection of writing in one accessible resource. Each of the book's four sections includes an introductory essay; "sparks" excerpted from each article that alone might ignite debate; "reflections" by some of the authors looking back on their work; and discussion questions. Four case studies in the final section highlight the fascinating interplay among change, response, and understanding. Transforming Practice is a professional development tool--a resource for museum training programs, small museums, staffs, practitioner groups, and friends to inspire conversation, critique, debate, and your own writing. As Stephen E. Weil writes in his foreword, this book reveals "the richness of ideas, the dedication to excellence, and the extraordinary depth and variety of talents to be found among this generation of museum educators." Sponsored by the Museum Education Roundtable. This title is sponsored by The Museum Education Roundtable. The Museum Education Roundtable (MER) is a non-profit organization based in Washington, DC, dedicated to enriching and promoting the field of Museum Education. Through publications, programs, and communication networks, MER fosters professionalism, encourages leadership, scholarship, and research in museum-based learning, and advocates the inclusion and application of museum-based learning in the general education arena. For more information on MER and its activities, please visit their website at http://museumeducation.info/. Members receive the Journal of Museum Education as a benefit of membership. Write to MER at PO Box 15727, Washington, DC 20003. https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1443331949079-GZJNI7KMEBY7KU7HM5EH/Screenshot+2015-09-26+22.30.22.png Writing The first publication produced by Museum of Contemporary Craft in partnership with Pacific Northwest College of Art, “How Envy Killed the Crafts Movement: An Autopsy in Two Parts,” is now available on lulu.com. The book is based on the lecture of the same name given by Garth Clark on October 16, 2008, co-presented by MoCC, PNCA and Oregon College of Art and Craft. “With characteristic humor, Clark’s lecture surveys the past 150 years...Arguing that the desire for parity with the fine arts by artists, crafters (as Clark prefers), collectors, academia and institutions created the demise of the movement itself, Clark expresses concern that nostalgia and envy plague an aging community. As a result, he wryly quips, success is measured by escape from the 'penitentiary' of craft into the 'nirvana' of the art world. Instead of seeking a bridge to the fine arts, Clark advocates re-unification with design.” -Namita Gupta Wiggers https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1443332503397-U5M3KYSQXB99LCPIAKJE/Screenshot+2015-09-26+22.40.46.png Writing https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1443333681662-44Q5H58ZN52DT9LC1H9T/Screenshot+2015-09-26+23.01.06.png Writing https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1443389902518-BVY95EAEXJYI1CYM5VL8/Screenshot+2015-09-26+22.14.28.png Writing - Quality is Contagious: John Economaki & Bridge City Tool Works https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1443306754856-HAKUVFDTTUJ478HDZZRN/image-asset.png Writing - Unpacking the Collection: Selections from the Museum of Contemporary Craft The first publication to document Museum of Contemporary Craft’s collection and its connections to dramatic changes in artistic practice over the past seventy years, Unpacking the Collection introduces this vital regional center for craft through photographs of work, essays, texts, archival photographs and an abbreviated exhibition chronology. Published 2008. Distributed by D.A.P. $35 + S&H. Softcover; 136 pages; full color; 9.5 × 7.5 inches. Order Now by calling the Gallery Store at 503-546-2654 https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1443410668369-7PB1HHJL0XO31P4C482F/Screenshot+2015-09-27+20.23.50.png Writing - Manufractured by Steven Skov Holt and Mara Holt Skov MANUFRACTURED The Conspicuous Transformation of Everyday Objects PUBLISHER COMMENTS This volume reveals a major trend taking place today in visual and material culture—the radical appropriation of consumer goods as raw material for art- and object-making. A growing number of artists, craftspeople, and designers are realigning traditional craft practices with already manufactured objects and materials to marry the uniquely handmade with the uniformly mass-produced. Published to coincide with a show at the Museum of Contemporary Craft in Portland, Oregon, Manuf®actured offers an arresting look at the new crossover of craft, art, and design, and an exciting new cultural genre. By Steven Skov Holt and Mara Holt Skov Published by Chronicle Books http://www.namitawiggers.com/magazines-and-journals daily 0.75 2016-03-23 https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1443334281329-IZRUR1BPLGOVR3L28XXN/Screenshot+2015-09-26+23.11.05.png Magazines and Journals - Ornamentalism Revisited Co-authored with Lena Vigna https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1443334281329-IZRUR1BPLGOVR3L28XXN/Screenshot+2015-09-26+23.11.05.png Magazines and Journals - Ornamentalism Revisited Co-authored with Lena Vigna https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1443394288398-LNEE8O75TPMUAW7L3RAL/Screenshot+2015-09-27+15.51.08.png Magazines and Journals - Exhibition Review, Eric Franklin Issue 48 Exhibition Review at Laura Russo Gallery, Portland, OR https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1443394639840-Q8A3FA49V7O25FXII1U3/Screenshot+2015-09-27+15.57.06.png Magazines and Journals - Exhibition Review, Jordan Schnitzer Museum of Art https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1443394345527-ZCJ8RPLX4U2CFCGKO6RT/Screenshot+2015-09-27+15.51.08.png Magazines and Journals - Exhibition Review, Ellen George Issue 51 Exhibition Review, PDX Contemporary https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1443394652441-19OYHP1PHGU1Q4K7OAD5/Screenshot+2015-09-27+15.57.06.png Magazines and Journals - Exhibition Review, Junko Ijima https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1443394757148-HUDUU79HNNW1G1DVP9E8/Screenshot+2015-09-27+15.59.06.png Magazines and Journals - Portfolio: It Just Comes Naturally (Charissa Brock) JANUARY 2008 | BY NAMITA GUPTA WIGGERS | ISSUE 60 By the time Charissa Brock entered college, she’d handled just about every traditional craft medium, from glass and clay to metal, wood and fiber. It was a search for natural materials to use in teaching during graduate school, though, that led her to a bamboo grove. At first sight of this unexpected gold mine, images of patterns and forms started flashing through Brock’s mind. And she knew that she had just found the perfect medium for making the objects she visualized. Making art has been part of Brock’s life since her early childhood in New Mexico. Her mother, glass artist Emily Brock, created an experimental environment for her and her younger sister Kendra. The studio was a place to play, where the girls had free rein to handle glass scraps, tools and equipment. “I don’t know what normal families do,” laughs Brock. “In ours, weekend fun involved seeing an art exhibit, building a kiln, tying Plexiglas into knots, or helping Mom prepare work for an upcoming exhibition.” Brock also spent many summers on her grandparents’ flower farm in Grants Pass, Ore., and she remembers once being captivated by her grandfather’s description of how a tree’s sphere of growth could enfold her with its visible leaves and branches above and its extensive yet invisible system of roots below. Her deliberate choice of natural materials in her artwork comes from such childhood influences, combined with a philosophical approach developed through her experiences with other artists. It was basketmaker Dorothy Gill Barnes, for example, who taught Brock to gather tree bark in a way that causes the least possible impact on nature. Bamboo provides a sustainable natural material that enables Brock to operate within, rather than against, nature. Classically trained, Brock recalls drawing every bone in the body while studying at the College for Creative Studies in Detroit. The exercise taught her an important lesson about how her mind works. “Arranging things on paper is not what I see,” she explains. “I understand how a painter lays a mark, and then creates a second one in communication with the first. But my brain wants to take the paper and fold it into a shape instead.” That course revealed more than her interest in fabrication and three dimensional forms. It inspired her to use her hands to translate the close observations of nature that she had been making since childhood. Through workshops with sculptor Lissa Hunter, graduate coursework with fiber artist Rebecca Medel, and recent friendships and conversations with basketmakers Nancy Moore Bess and Jiro Yonezawa, Brock has continually collected new approaches to structure building. Her unique approach combines a range of weaving, basketry and sewing techniques with the aesthetics of sculpture—filling a cavity with a honeycomb of densely stacked bamboo, arranging glass leaf forms to mimic an opening flower or creating a basket form that echoes the movement of the wind. It is Brock’s physical engagement with her materials that drives the vocabulary of her forms. Remarkably versatile, bamboo provides a single material through which Brock can experiment, transform and create structures with both natural and cultural references. But it does require a complex preparation process. After the bamboo is gathered from backyards, gardens and farms all around Oregon, it must be dried for at least six months to remove moisture. Brock then prepares the bamboo with heat to harden it and make it less appealing to insects. Once the preparations are complete, the bamboo, like wood, can be cut, stacked, glued and sanded. Using basketry techniques, it can also be split, bent, woven and sewn. Building one piece reveals new approaches for the next, leading Brock to explore linearity in one form, movement in another and the tension between solidity and vacancy in a third. “In the abstract objects I create, I incorporate a continuous narrative of my own internal culture, one that includes all that I am exposed to,” says Brock. Her work shares stories of how she uses a single material to merge a wealth of influences, creating beautiful objects that simultaneously reveal conceptual complexity and the pleasure of their construction. Brock’s work is available at Cervini Haas Gallery in Scottsdale, Ariz., the Museum of Contemporary Craft’s retail gallery in Portland, Ore., and Snyderman-Works Galleries in Philadelphia, Pa.   https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1443395100734-F2NKF9QC40KES625NVKG/Screenshot+2015-09-27+16.04.31.png Magazines and Journals - Laurie Herrick https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1443396863932-I6DUVP1ATQ0TSI02QNQY/Screenshot+2015-09-27+16.34.02.png Magazines and Journals - ADD interview with Rowland Ricketts http://www.namitawiggers.com/talk-1 daily 0.75 2015-09-27 https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1443389234926-ITWV8KOIVYI539L2EJ7U/Screenshot+2015-09-26+15.11.40.png Talk - Curator Talk: Materialities: Contemporary Textile Arts Surface Design Exhibition, hosted at Arrowmont School of Arts and Crafts 1st International Juried Exhibition Thursday, October 8, 2015 Photo: Namita Gupta Wiggers, Rena Wood, Artist-in-Residence, Arrowmont School of Arts and Crafts 2013-2014 https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1443389234926-ITWV8KOIVYI539L2EJ7U/Screenshot+2015-09-26+15.11.40.png Talk - Curator Talk: Materialities: Contemporary Textile Arts Surface Design Exhibition, hosted at Arrowmont School of Arts and Crafts 1st International Juried Exhibition Thursday, October 8, 2015 Photo: Namita Gupta Wiggers, Rena Wood, Artist-in-Residence, Arrowmont School of Arts and Crafts 2013-2014 https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1443313981685-RBLTFNYKW5G4KCLUP1GG/Screenshot+2015-09-26+17.27.00.png Talk - HQ Conversation: Design Week Portland 2014 In Fall 2014, I had the opportunity to lead a series HW Conversations for Design Week PDX. Held in the domes at Pioneer Square, each conversation includes the background ambiance of the city's "Living Room." First up: Mira Kaddoura, Interactive Artist and Creative Director. The first initiative of Red&Co, which she founded in 2013, is a project with Google. Made with Code includes a website, apps, documentary film and more -- all created to encourage girls and women into technology fields. https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1443334526339-DUC6K13OUA4FJCB91MOO/Screenshot+2015-09-26+23.14.51.png Talk https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1443396406087-9QM2J4YAUIUF0XJ9XHOJ/Screenshot+2015-09-27+16.26.12.png Talk https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1443402932911-G9IQSEQ7A7CBURZ1DRYN/Screenshot+2015-09-27+17.46.50.png Talk http://www.namitawiggers.com/new-gallery-1 daily 0.75 2016-04-12 https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1460442685624-AWEC8E8H57FAL571IJNV/Screenshot+2015-09-26+21.23.43.png Experience - Museum of Contemporary Craft From 2004-2012, I served as the Curator, Museum of Contemporary Craft. In 2012, I became the first appointed Director since the partnership between Museum of Contemporary Craft and Pacific Northwest College of Art in 2009. I continued as Director and Chief Curator until 2014. During my tenure, I curated over 65 exhibitions, created hundreds of programs, eight publications, doubled the size of the collection, turned the Gallery Store into a profitable retail space for the first time in decades, and assisted in raising over $1 million to support the Museum and PNCA staff.   https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1460442685624-AWEC8E8H57FAL571IJNV/Screenshot+2015-09-26+21.23.43.png Experience - Museum of Contemporary Craft From 2004-2012, I served as the Curator, Museum of Contemporary Craft. In 2012, I became the first appointed Director since the partnership between Museum of Contemporary Craft and Pacific Northwest College of Art in 2009. I continued as Director and Chief Curator until 2014. During my tenure, I curated over 65 exhibitions, created hundreds of programs, eight publications, doubled the size of the collection, turned the Gallery Store into a profitable retail space for the first time in decades, and assisted in raising over $1 million to support the Museum and PNCA staff.   https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1443327840370-6IV4G72SZ0GHSWPE6UZ2/Screenshot+2015-09-26+21.23.43.png Experience - Museum of Contemporary Craft From 2004-2012, I served as the Curator, Museum of Contemporary Craft. In 2012, I became the first appointed Director since the partnership between Museum of Contemporary Craft and Pacific Northwest College of Art in 2009. I continued as Director and Chief Curator until 2014. During my tenure, I curated over 65 exhibitions, created hundreds of programs, eight publications, doubled the size of the collection, turned the Gallery Store into a profitable retail space for the first time in decades, and assisted in raising over $1 million to support the Museum and PNCA staff.   https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1460442711078-ZAYSJ1VNAJ7052X321UZ/Screenshot+2015-09-27+15.11.21.png Experience - Scale From 1997-2006, I worked as a studio jewelry, creating, marketing and selling a line of limited edition sterling silver jewelry. Galleries included: Contemporary Crafts Museum and Gallery, Artful Home, and galleries across the US. https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1443391795857-8H7AI8H2CYSAQKNUQ6E8/Screenshot+2015-09-27+15.04.34+copy.png Experience - E-Lab, Chicago From 1996-97, I worked as a Senior Researcher. Working on teams with both designers and researchers, the company employed ethnographic methods to understand user behavior. Founded by John Cain, Mary Beth McCarthy, and Rick Robinson. https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1443329892198-GX4I6BH0PWPA5CCGN36Y/Screenshot+2015-09-26+21.57.50.png Experience - Public Programs Coordinator From 1990-93, I worked at the Blaffer Gallery, University of Houston. Thanks to support from the Warhol Foundation, I employed students to teach visitors through UHReach. I founded the program to focus on middle and high school students, working most closely with the inner city schools in the neighborhoods closest to UH. Through a partnership with the Houston Chronicle. teachers received preparatory packets including curricular plans and slides to prepare students prior to visits, and to provide follow-up art activities using supplies readily available in inner city classrooms. Selected schools (5 middle and 3 high schools) received classroom visits prior to and following class tours by trained UHReach Education Assistants. In year three, the program served over 20,000 participants, most of whom were in grades K-12. https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1443330331399-DB18SG7VTLAAKRO1Z3I9/Screenshot+2015-09-26+22.05.11.png Experience - The Children's Museum of Houston From 1988-1990, I worked in the original location of The Children's Museum of Houston. First employed as a Research Assistant, Exhibitions Department, I worked with Michael Galbreith, Rhonda Pirtle and John Barber to maintain exhibitions, develop Omokunle, an exhibition focused on Nigerian culture, assisted with the travel of an exhibition on China and Oaxaca, Mexico, and a special advisory committee of children from the community. In 1989, I became the Administrative Assistant to the Executive Director/Receptionist/Rental Events Coordinator. In addition to providing support for Board activities and administrative needs, I assisted Executive Director Jane Jerry with inquiries on how to start a children's museum. http://www.namitawiggers.com/blog daily 0.75 2015-09-26 http://www.namitawiggers.com/blog/2015/9/26/coming-soon- monthly 0.5 2015-09-26 http://www.namitawiggers.com/workshops daily 0.75 2015-09-26 https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1443305716943-GRXU0Y226A2KAFJLE5DN/Screenshot+2015-09-26+15.14.54.png Workshops Benjamin Lignel and Namita Wiggers speak about Art Jewelry Forum's book Contemporary Jewelry in Perspective at the University of Oregon as part of the international lecture series promoting the book. This lecture is part two of a series called "This is Not a Book: A Test Drive Thru Contemporary Jewelry in Perspective." You can find out more about the book on Art Jewelry Forum's website: artjewelryforum.org/ https://vimeo.com/77716476   https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1443305716943-GRXU0Y226A2KAFJLE5DN/Screenshot+2015-09-26+15.14.54.png Workshops Benjamin Lignel and Namita Wiggers speak about Art Jewelry Forum's book Contemporary Jewelry in Perspective at the University of Oregon as part of the international lecture series promoting the book. This lecture is part two of a series called "This is Not a Book: A Test Drive Thru Contemporary Jewelry in Perspective." You can find out more about the book on Art Jewelry Forum's website: artjewelryforum.org/ https://vimeo.com/77716476   http://www.namitawiggers.com/snow daily 0.75 2013-09-03 https://images.squarespace-cdn.com/content/v1/4fd1028ee4b02be53c65dfb3/1377895224064-0ZVD0D4POA1VF6DXV8A6/0e5acc603d6e38038ec63503ea01a1af.jpg Art http://www.namitawiggers.com/cities daily 0.75 2015-10-29 https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1446099859785-I9S6K4W152GONQ1J7ZTS/image-asset.jpeg Periodicals https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1446099859785-I9S6K4W152GONQ1J7ZTS/image-asset.jpeg Periodicals http://www.namitawiggers.com/water daily 0.75 2013-09-03 https://images.squarespace-cdn.com/content/v1/4fd1028ee4b02be53c65dfb3/1377894957931-25CQKXMIZAVNB37SHXSS/400f08cd6d45ad1e2b5b4485c3402bc7.jpg Current Projects http://www.namitawiggers.com/work daily 1.0 2024-05-13 https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1640814317592-7W0XNX22OQY57VF95H5P/Screen+Shot+2021-12-29+at+1.01.15+PM.png My Writing https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1640814343951-HE160KA6IQGJE90WJN77/Screen+Shot+2021-12-29+at+1.08.35+PM.png My Writing https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1640814365150-F7UJH3YW2EMYVJ7GGCEC/Screen+Shot+2021-12-29+at+1.25.14+PM.png My Writing https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1640814388397-NGMH7264K5XFHG9DVGE7/Screen+Shot+2021-12-29+at+12.23.06+PM.png My Writing https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1640814425583-ZI95DF7LK9Q2K6P4QYNK/Screen+Shot+2021-12-29+at+12.24.21+PM.png My Writing https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1640814452046-GV7QEC5GQ5LGNUYNP82W/Screen+Shot+2021-12-29+at+12.19.56+PM.png My Writing https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1640814475189-57SYC86OM69HCTQVIRV9/Screen+Shot+2021-12-29+at+12.27.54+PM.png My Writing https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1640814497840-98N7FF1L17009XLPLY19/Screen+Shot+2021-12-29+at+12.20.20+PM.png My Writing https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1640814552803-1WD6MSIZ0GJEORXT3ZEC/Screen+Shot+2021-12-29+at+12.23.33+PM.png My Writing https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1640815255636-WZC6QX4W98E6LC2RQGPQ/Screen+Shot+2021-12-27+at+5.54.55+PM.png My Writing https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1640815854872-K1BJACF2EDMBCLTJJXVZ/Screen+Shot+2021-12-29+at+1.57.04+PM.png My Writing https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1640815885313-263UNBOQ32AAUZYE60GV/Screen+Shot+2021-12-29+at+1.49.59+PM.png My Writing https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1640815967473-OOMX6K97X4PIF1A7YHDF/Screen+Shot+2021-12-29+at+2.12.30+PM.png My Writing https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1640818183913-Y1QNOC1ZRNL93FSPW5JU/Screen+Shot+2021-12-29+at+2.47.41+PM.png My Writing https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1640818482966-2K4DO97O448SWA6NK8YF/Screen+Shot+2021-12-29+at+2.53.11+PM.png My Writing https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1640818645392-HPQJS047GM5BRGYSBBP7/Screen+Shot+2021-12-29+at+2.22.57+PM.png My Writing https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1640818690298-QWO5E1RQ8ZVD7FF6XIQM/Screen+Shot+2021-12-29+at+2.41.34+PM.png My Writing https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1640823127693-9ELHC39RPPL1OG3GUE6T/Screen+Shot+2021-12-29+at+4.08.26+PM.png My Writing 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https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1640849765001-VGKVE1HX42O8UYB8KA0M/Screen+Shot+2021-12-29+at+11.35.35+PM.png My Writing https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1640850097190-4NEP2H2GPQEYOA6TDAPV/Screen+Shot+2021-12-29+at+11.41.04+PM.png My Writing https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1640850600040-8B971VQLM7AQKTGYK7AS/Screen+Shot+2021-12-29+at+11.48.38+PM.png My Writing https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1640851376710-69LCYO16KTGIT411I6SY/Screen+Shot+2021-12-30+at+12.02.24+AM.png My Writing https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1640851613894-5Q2PUDL3G051T6F2Z2Y6/Screen+Shot+2021-12-30+at+12.05.31+AM.png My Writing https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1640851981804-6XU9RSOAUVHT2FFLZ71H/Screen+Shot+2021-12-30+at+12.11.48+AM.png My Writing https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1640852090535-KYOS3OSEOV3E0TI2LWTD/Screen+Shot+2021-12-30+at+12.07.47+AM.png My Writing https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1640852133289-JKF598CYHCT1QTON3JOQ/Screen+Shot+2021-12-30+at+12.10.40+AM.png My Writing https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1640852308875-ZTNVFPNQBR3CDDX2UUIQ/Screen+Shot+2021-12-30+at+12.16.51+AM.png My Writing https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1640852614336-DWIWQK78T9V856F5LMV9/Screen+Shot+2021-12-30+at+12.21.58+AM.png My Writing https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1640852849983-BPBWYF1C2LVCFBQLUBXC/Screen+Shot+2021-12-30+at+12.25.28+AM.png My Writing https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1640907166894-TYUHTHTIM1FL9NURRD9P/Screen+Shot+2021-12-30+at+3.28.32+PM.png My Writing https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1640908171259-FNEVUXANKS9ER4VSM81N/Screen+Shot+2021-12-30+at+3.47.02+PM.png My Writing https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1640912702188-T5IV6U4WVXG08QW0KE04/Screen+Shot+2021-12-30+at+5.04.08+PM.png My Writing https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1641078485017-GKB8K7SKXT6J4QP6JWDJ/IMG-2247.jpg My Writing https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1641957168209-HTCQ0JFAA6PI7DDWBXMR/Screen+Shot+2021-12-29+at+11.51.52+PM.png My Writing https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1641957265372-GDKPY3J1WM1RX5Q1G892/Screen+Shot+2021-12-29+at+12.37.23+PM.png My Writing https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1680309241835-U8NFEKKPBO3AB9XCWW0N/Screen+Shot+2023-03-31+at+5.13.16+PM.png My Writing https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1692831367015-298V8MNNJGN7T0NP7Q9P/Slides+square_Sunset8+The+MACR+Papers+%281%29.jpg My Writing https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1715562942317-FPRC9A7ETOUKYTLJP5AB/Screen+Shot+2024-05-12+at+9.11.23+PM.png My Writing https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/18bbb821-2ee8-493d-89c1-25f0126f406d/Screen+Shot+2021-12-29+at+12.27.54+PM.png My Writing https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/8655eb02-2748-4d00-bac2-1fe257bab81f/Screen+Shot+2021-12-29+at+12.37.23+PM.png My Writing https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/fa765f2d-edf5-4b0d-8f87-ac326bc7a8f0/Screen+Shot+2021-12-29+at+12.23.06+PM.png My Writing https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/3a6df770-82d9-4e8a-abc2-a11be01543a1/Screen+Shot+2021-12-29+at+12.20.20+PM.png My Writing https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/866b4b39-1364-4a76-9405-01b7a8171814/Screen+Shot+2021-12-29+at+12.24.55+PM.png My Writing https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/7e83ca18-c6c6-41e6-bb28-ccdefefcdd0c/Screen+Shot+2021-12-29+at+1.01.15+PM.jpg My Writing https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/285f54f5-7571-4758-90cb-8291552ec5b0/Screen+Shot+2021-12-29+at+1.08.35+PM.png My Writing https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/686213b5-ab01-4d35-88b0-1d59abc1b59c/Screen+Shot+2021-12-29+at+12.23.33+PM.png My Writing https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/f89dd7b5-0bc6-4e4a-af90-60588fe5ce15/Screen+Shot+2021-12-29+at+12.19.56+PM.png My Writing https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/dd1587e9-f2fd-4444-89ce-2b6cdef123d6/Screen+Shot+2021-12-29+at+1.25.14+PM.png My Writing https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/29d6be9f-f847-4307-9bdd-50aab7245229/Screen+Shot+2021-12-29+at+1.49.59+PM.png My Writing Photo: Namita Gupta Wiggers, Amsterdam 2013 https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/c6b2497c-0275-487e-ac76-9b20d8fe2903/Screen+Shot+2021-12-29+at+1.57.04+PM.png My Writing https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/bd769338-8f40-4c07-9383-e3646c04dcd4/Screen+Shot+2021-12-29+at+3.54.15+PM.png My Writing https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/62789626-f64e-41da-bacb-c23cc81f246e/Screen+Shot+2021-12-29+at+2.06.10+PM.png My Writing Kerianne Quick, Greetings from Mexico or Souvenirs from the Border, 2013Ignacio Coronel Villarreal alias “Nacho Coronel”Killed 29 July 2010 https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/a1889674-a09e-4458-af7c-03b8c9934c52/Screen+Shot+2021-12-29+at+2.30.01+PM.png My Writing Photo: Photo of Harvest Gold Kenmore Side-by-side Refrigerator https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/7eba9bf2-39b9-420c-b820-dcfc584027f6/Screen+Shot+2021-12-29+at+2.41.34+PM.png My Writing Exhibition opening, Touching Warms the Art, Museum of Contemporary Craft, 2008, photo: Brian Foulkes https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/3fbceb0a-2017-46a0-b2ac-c520fa6054ea/Screen+Shot+2021-12-29+at+2.47.41+PM.png My Writing I AM THE NIGHT RIDER (2015) Ben Venom Venom explores the political history of quilt making in I Am the Night Rider, a handmade quilt crafted out of recycled fabric. By pulling from subcultural movements like punk rock, heavy metal, and biker gangs, the quilt is said to function as “an allegory of present-day America.” Courtesy of the Gregg Museum of Art & Design https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/63427657-28fb-4594-bd5d-b6377e764815/Screen+Shot+2021-12-29+at+2.53.11+PM.png My Writing Image Courtesy of Spooltown https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/f88b438a-0dc9-4dcf-a4a3-dc10ca31d5f5/Screen+Shot+2021-12-29+at+4.02.54+PM.png My Writing https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/96ac64c0-b068-46bf-b497-2e9c02db77ea/Screen+Shot+2021-12-29+at+4.08.26+PM.png My Writing https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/a606afd3-31ab-448c-b4ff-afcf30ac7348/Screen+Shot+2021-12-29+at+4.14.39+PM.png My Writing https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/dc712ffb-2766-42f9-b8eb-3c594a57152f/Screen+Shot+2021-12-29+at+4.26.33+PM.png My Writing https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/5ca3cb72-2796-4104-80f9-ba824942fa2f/Screen+Shot+2021-12-29+at+4.34.38+PM.png My Writing https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/b692761f-054e-4fa9-a46a-347c89725bf6/Screen+Shot+2021-12-29+at+4.46.39+PM.png My Writing 2. Sarah K Khan, “Undisciplined Pleasures: Vigilant Caring, Conversing, Listening, Flirting, Loving (Orange Blossom)” Print on traditional handmade Wasli paper, 24”x 33” . 2019 Fall. Image courtesy of the artist. https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/b0e3ea9d-8078-4576-8a33-253179de83c4/Screen+Shot+2021-12-29+at+4.49.40+PM.png My Writing https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/0dad3291-1a59-45cc-81f0-dfb01253b9ad/Screen+Shot+2021-12-29+at+4.56.12+PM.png My Writing https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/8bb71dbc-6ad1-4a89-9794-f0e35ad004a1/Screen+Shot+2021-12-29+at+5.12.32+PM.png My Writing Brian Gillis. A Directional Antenna for Broadcasting Pirate Radio, 2016-Present. Colored porcelain, copper, steel, and miscellaneous electrical components, 28 x 10 x 10 inches. https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/ee336ece-3e71-4886-bf9e-691afedc6dba/Screen+Shot+2021-12-29+at+11.07.41+PM.png My Writing Ground Cover, by Ann Morton. Yarn, fabric, 600 volunteers, vacant lot, homeless recipients, 2013. 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| Courses and Workshops Artwork by Surabhi Ghosh https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/d5d0489e-1f9f-4681-83b9-e6c355686fdf/IMG-8333.JPG Teaching | Courses and Workshops - Make it stand out Artwork by Rakhi Parekh https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1425429f-96ee-4aaf-a344-6a040cb45b48/IMG-8392.JPG Teaching | Courses and Workshops - Make it stand out From l to r: Rakhi Parekh, Medha Bhatt, Surabhi Ghosh, Namita Gupta Wiggers https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/719b426c-13db-48f1-8176-53ca56b7c041/IMG-8423.JPG Teaching | Courses and Workshops Beadwork by Medha Bhatt’s grandmother https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/441bbc98-4cfe-4c7f-82a9-4d2c07b339cc/IMG-8433.JPG Teaching | Courses and Workshops - Make it stand out Installation View http://www.namitawiggers.com/projects-1 daily 0.75 2022-03-27 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Wiggers https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/75388f23-645b-4048-8777-45cec0d32d05/Screen+Shot+2021-12-28+at+2.13.50+AM.png Projects https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/f73d6592-5a68-4257-8c7b-0ab8f8b31258/UNADJUSTEDNONRAW_thumb_c974.jpg Projects https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/0288fa8d-7a63-4432-ab26-d1c515c0fe7d/UNADJUSTEDNONRAW_thumb_c970.jpg Projects https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/b97ca042-3a13-4727-b99e-0a5364cabe58/IMG-1299.JPG Projects - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/12d2a2c2-ce88-4b80-b756-e261b492367b/UNADJUSTEDNONRAW_thumb_c956.jpg Projects https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/5c725ca3-8e0e-4ff5-8b87-cb1e3f74e5e4/UNADJUSTEDNONRAW_thumb_cad2.jpg Projects - Make 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https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1640919754479-65ZOSHTUB14GR6XNKQLK/Screen+Shot+2021-12-30+at+7.00.11+PM.png Writing About Me https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1640998871588-98NUPK5RHRNUUGKFEII8/Screen+Shot+2021-12-30+at+7.04.01+PM.png Writing About Me https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1641193038064-4SZB0ZAWJBC27E3PEPT7/Screen+Shot+2021-12-28+at+1.27.29+AM.png Writing About Me https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1641195988989-TDJ8KX0FD5ZDUA97FLFN/Screen+Shot+2022-01-02+at+11.35.49+PM.png Writing About Me https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1641938491645-PHBXZSKMM2BJRQXH1320/Screen+Shot+2022-01-11+at+1.59.45+PM.png Writing About Me https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1641969536578-SL8PJK1GWYZX75GCS3TN/Screen+Shot+2022-01-11+at+1.56.09+PM.png Writing About Me https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1647291853559-QS8AYP8NFIV5QVZLS8V3/Screen+Shot+2022-03-14+at+2.04.04+PM.png Writing About Me https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/2682c37f-a881-4366-a059-66f804f4a10f/Screen+Shot+2021-12-27+at+4.35.44+PM.png Writing About Me https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/01fbf007-5900-4918-8527-c456a0c50fc2/Screen+Shot+2021-12-27+at+4.45.16+PM.png Writing About Me - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/9cd112af-e31a-48ac-985e-4c6b5d0bd9a1/Screen+Shot+2021-12-27+at+4.23.06+PM.png Writing About Me Photo: Namita G. Wiggers https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/9601fead-a9d8-4b59-b493-0e807f8ef465/Screen+Shot+2021-12-27+at+4.14.09+PM.png Writing About Me https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/eeb3c2c8-fa5e-4bcf-830a-3136efa464a6/Screen+Shot+2021-12-27+at+5.01.21+PM.png Writing About Me https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/c6389351-64d6-4f6b-93f3-edfb865a1e5b/Screen+Shot+2021-12-27+at+5.09.25+PM.png Writing About Me Installation, Touching Warms the Art, Museum of Contemporary Craft https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/e5f2b55f-cbee-410b-9d55-bd3b19f37202/Screen+Shot+2021-12-27+at+5.17.25+PM.png Writing About Me https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/6e16585c-adce-4572-852b-ef27284cba67/Screen+Shot+2021-12-27+at+5.22.37+PM.png Writing About Me https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/1110e4b9-c310-493a-82bc-a38418d2e7b1/Screen+Shot+2021-12-30+at+6.38.02+PM.png Writing About Me https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/bf234aa2-846c-4072-a62a-ebbec0dfbd20/Screen+Shot+2021-12-28+at+12.53.23+AM.png Writing About Me https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/5943d462-fe4c-4997-bbbb-394b6df206e9/Screen+Shot+2021-12-27+at+6.01.44+PM.png Writing About Me https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/ce49d4d0-2c69-44df-a940-cee7d420f644/Screen+Shot+2021-12-30+at+7.00.11+PM.png Writing About Me Melissa Dyne, 'Glass,' 2008, Detail of Glass installation with industrial skyscraper window at the Museum of Contemporary Craft. Photo: Brian Foulkes, courtesy MoCC. https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/56e03c70-c4ec-4cca-8810-839029eee352/Screen+Shot+2021-12-30+at+7.04.01+PM.png Writing About Me Anne Wilson's Wind-Up: Walking the Warp, Houston (2010). Six dancers wound thread through the steel frame in this performance-turned-installation. Photo: Rick Gardner, courtesy of the artist and Rhona Hoffman Gallery https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/ce0ada0d-4a5d-497d-b9f9-5933b1b1772a/Screen+Shot+2022-01-02+at+11.34.56+PM.png Writing About Me https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/3c31e155-d3e2-41c6-9897-ac132e71058d/Screen+Shot+2022-01-02+at+11.35.16+PM.png Writing About Me https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/ff002bf9-e7c6-472c-bb77-1ba97d79f89e/Screen+Shot+2022-01-02+at+11.35.36+PM.png Writing About Me https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/89109af5-3b54-4f92-a9b3-aecb0399d661/Screen+Shot+2022-01-02+at+11.35.49+PM.png Writing About Me - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/87dc8473-706a-4c69-afdc-30308db4ea99/Screen+Shot+2022-01-11+at+1.59.45+PM.png Writing About Me https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/01ff2dd0-4fd2-4568-9d6b-244dc7574c40/Screen+Shot+2022-01-11+at+1.56.09+PM.png Writing About Me https://images.squarespace-cdn.com/content/v1/560700cfe4b013120acaec27/47ccf81d-4a4d-4ef5-884e-0a8b4f53612a/Screen+Shot+2022-03-14+at+1.57.55+PM.png Writing About Me http://www.namitawiggers.com/woods-avenue daily 0.75 2025-05-12 https://images.squarespace-cdn.com/content/v1/4fd1028ee4b02be53c65dfb3/1377895852772-GM7RFYOY695VC4VRJHD7/eccada28f331bc211dac5051c1bb5a03.jpg Trees https://images.squarespace-cdn.com/content/v1/4fd1028ee4b02be53c65dfb3/1377895717511-BLIYJ7JPY25SIBSFRDE0/48912b670821887c620aa13289eaf24b.jpg Trees https://images.squarespace-cdn.com/content/v1/4fd1028ee4b02be53c65dfb3/1377895722132-K068HZDGGKTN43WFVC39/39c8d8debb32445d92aebb524abeb6d5.jpg Trees https://images.squarespace-cdn.com/content/v1/4fd1028ee4b02be53c65dfb3/1377895722157-1J6HS1NC1OIOICNV38EP/85ed6833ffd5a16d5a797efd8ffdcfa4.jpg Trees 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